Last week I was asked to be a guest on It’s New Orleans, an online radio station with a slew of interesting programs. Every week they do a show called Happy Hour that highlights intriguing people in the city. I had a lot of fun talking about Marrero (ahh suburbia), Slow Southern Style, and my long standing love for fashion. I also played flute in front of an audience for the first time in about 9 years- that’s what I get for listing it as a hobby in my bio. I’ve already picked apart my 1.5 minute performance and noted every single flaw, but you be the judge. Listen to the show online by clicking here.
Category: interviews
by JeLlyn Morvant
“Because there is complexity in purity, Elegance in plainness, Intricacy in streamlining, Richness in reduction, Depth in minimalism, Surprise in uniformity, Innovation in re-use, Cool in the avoidance of cool, And there is true sophistication in simplicity” -MUJI brand philosophy
I had the fantastic pleasure of interviewing Lia Cinquegrano, the creator and designer of handbag line Thomas IV. The Florida native (now in Brooklyn) has an interesting design aesthetic and makes wonderful use of different fabrics, textures, and patterns.
Photo c/o Thomas IV |
I usurped the family first name. My brother is Thomas Cinquegrano III, so I stole Thomas IV and passed it down to my handbag line
– I love your mixture of bold prints, colors and fabrics. Where does your inspiration come from?
My inspiration comes for the idea of using inherently colorful materials with little to no hardware. I use fabrics from Guatemala and India as well as recognizable graphic patterns like houndstooth. I like for all of the bags to be very relaxed, casual and quirky. They are a true reflection of my personality and represent how I feel about fashion. I do not take fashion seriously. I think all design should be clever and have a sense of humor. I am attracted to colors and patterns and mixed media. I wanted the bags to feel like they have a personality of their own and make a statement.
Photo c/o Thomas IV |
– Why do you think it is more beneficial to you as a designer and to your product to have all of your pieces made locally?
As a small and young designer who studied fashion design, I believe using the industry available in my home-city is super important. I want to have a relationship with the people executing my designs. I want to be able to oversee the process any day of the week. I want to explain my ideas face to face with the technicians and I want to support my local economy and the industry that is available for people like me. I need to use factories that support small designers and are willing to forfeit high minimums. Using these factories benefits me because I am gaining a real hands-on education which in turn helps with my design process. When I can see how something is made and understand the possibilities of manufacturing, I can better design a product.
– Where did you get your start, and why did you choose to design bags?
Photo c/o Thomas IV |
I have always been interested in fashion, styling and crafts. But it wasnt until after working a professional job in my degree field that I decided to return to school to make fashion my career.
Tons of things inspire me. I love looking at street style blogs and other fashion blogs..seeing how ppl put things together every day. Of course fashion runways inspire me as well.
I just love how vintage is usually a one of a kind piece and unique compared to what is on the rack at that time. It is also interesting thinking of all those that have worn it before and all the different parties that vintage dress has been to.
gosh…I have so many favorites right now. Casually, I am about the very oversized top with tons of vintage necklaces, skinnies tucked into wool socks and my red heeled booties. If its extra chilly I will throw on my army green parka. For dressy nights, my favorite pieces would be sequin dresses.
I would probably wear the oversized top with skinnies tucked into wool socks, tons of vintage necklaces or bracelets and red boots ensemble. Lately, I am in a phase of wearing my hair down parted down the middle with my natural wave which is funny bc growing up I would never ever wear my hair down.
Neon accents are big right now and its a little hard for me to adapt to bc Im not much of a bright colored girl. Another one is floral skinny pants and wide leg pants which Im loving right now
I’m ready for a new adventure!
Photo courtesy of Half Shell Productions |
Where does your inspiration for your designs come from?
Photo courtesy of Half Shell Productions |
You use so many different elements in your creations. How do you choose the materials for each design?
What are your plans for Halfshell Productions after the 2012 Mardis Gras season ends?
Photo courtesy of Half Shell Productions
Elizabeth McNair
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Last Thursday I had the pleasure of being a guest on Lianamar Davila Sanabria’s radio show, Jangueando con Liamar. This bilingual show comes on every Thursday at 7:00pm and discusses a wide variety of topics, including a biweekly NOLA Eats dining segment from my friend Leslie Almeida.
Handled the mic like a pro…maybe |
This past week I was on the show to talk “shop” about Slow Southern Style, my wardrobe consulting business Slow Southern Styling, my full time job at Buffalo Exchange and we even managed to squeeze in what to wear on New Year’s Eve. Hemline Boutique in the French Quarter was nice enough to play host, which made chatting about fashion on live radio a breeze. The complimentary cocktails from Kru Vodka didn’t hurt either.
See all of the photos from the night on the Jangueando con Lianamar Facebook page and listen to the show by clicking below.
Eyeing up the studded Sam Edelman loafers w/ host Lianamar |
The gaggle of girls (and one guy) who were guests on the show |
Describe the Altar clientele. What type of woman would be drawn to your designs?
How does the South, and New Orleans in particular, influence your work?
For fashion specifically, I am drawn to the lace and frills aesthetic of the south. The white linens and loose gauzy materials capture my imagination. I love to counter that innocence and airiness with a bit of black leather. It’s like the swamp to me, absolute breathtaking beauty to look at, but with a presence of great danger.
Aside from fashion design what are some of your other interests and hobbies?
What does the future hold for you?
Keep up with Ryn by reading her blog or follow her on Facebook and Twitter.
Henk Brinkman- Horseshoe talismans
Pick up your own good luck piece at Henk Brinkman’s Etsy shop.
maison orleans
Here in New Orleans there is a reason ghost tours are so popular with tourists. This city definitely has a dark side, one that we embrace whole heartedly. From our beautiful cemeteries to tales of Jean-Lafitte everyone loves a sinister story. Janelle of Maison Orleans has managed to capture this mood with her line of jewelry inspired by her deep love of the dark.
Your jewelry certainly has a dark feel to it with a lot of ocean references. Describe Maison Orleans and what your aesthetic is.
I think the atmosphere of New Orleans lends itself to dark expression. I’ve been drawn to both the mysteries of this city and the mysteries of the ocean for as long as I can remember. There’s a certain romance to it, even in our beautiful cemeteries. Where else is a funeral celebrated with dancing and jazz music? As to the ocean, who hasn’t dreamed of sailing the high seas as a pirate or discovering a long-lost shipwreck? My aesthetic might seem eclectic, but I design and create my pieces in the hopes that there is someone else out there who will see and feel that same sense of mystery.
How does living in New Orleans help you with your design inspirations?
There is no greater city in the world for artistic inspiration. If you spend even a few hours watching people flow through the French Quarter or travel the river, or walk by the street artists and performers, you can’t help but feel the uniqueness of the culture. Even the architecture is fascinating.
Aside from jewelry what are your hobbies?
3. I also paint and make clothing (which will hopefully make it into my shop), and I could spend weeks wandering flea markets and thrift shops. I really love to take something “discarded” and turn it into something beautiful, or at least something interesting!
Any big plans in the future?
I never want the kind of success that would mean I couldn’t personally make every single piece I offer. I added Maison Orleans as an avenue for pieces that are close to my heart rather than commercial, and I’m content to continue. In a perfect world, I would share a retail space in the city, mainly for the direct contact that it would provide.
Define southern style.
Southern style, to me, is exaggerated in every sense. Whether it’s an elaborate chandelier, a monster truck, a 7-course meal, a mass of second liners, big hair, or unique jewelry, the South does what it does on a big scale, and I love every minute:)
Janelle sells her jewelry in the Maison Orleans Etsy shop.
Bayou Salvage
“Rust. Sweat. Stormy nights. Sweet Tea on the front porch. Whisky out back. House proud.Cypress moss swinging from branches.Old leather. Family secrets. Muddy back roads. Torn linen.Tent revivals. In the deep south,our atmosphere is our destiny. Whether its the heat,water,wind or hurricanes..our unique cultural experience dictates the way in which we live and how our effects survive. It is our reckoning. My work appeals to those who understand the deep South no matter who or where they are.”
French Market Bag
Your designs have a definite “salvaged” feel to them and a romantic, dark undertone. Aside from New Orleans what else inspires your designs?
Rococo tuxedo dress
You recently were approached by Anthropologie to design some pieces for the New Orleans store. What was your experience like working with them?
Vintage Libery of London textile cuffs
When you aren’t designing what other hobbies and activities do you enjoy?